How to Be a Misfit - Part One

by Jessica Brookman in ,


Last day in LA. 

Last day in LA. 

FACT: There are no rules. Do whatever you want. 

A few years ago, in the midst of a break-up, i posted the following gchat status:

“One day, this will all make a fine screenplay.”

Now, I wasn’t actually serious, at that point, about writing a screenplay. I was musing on a drama-laden, mid-twenties, NYC-style breakup situation. But it took less than no time for the schadenfreude to surface.

Seconds after posting, a little window popped up informing me that “writing a screenplay is actually really hard. so, um, good luck with that.  

Everyone has a person or two in their lives who seems to be compelled to dispense unsolicited advice on the basis of how hard things are for them. I suggest removing them from your buddy list, both electronic and otherwise, if it becomes a habit. 

But it wasn't the general discouragement from this "friend" that I took issue with. It was the implication behind it. The idea that, because a task was difficult and risky (and because few are willing to assume the risk), it should not be attempted.

Certainly not by you...certainly not in their presence.

This kind of attitude is harmful on an individual level (as it's the passive-aggressive equivalent of playground bullying). But it's also harmful on a cultural level. It creates an economy of fear. Fear suppresses artistic and innovative contributions. This is fucked because these contributions are the only progressive force in our control as humans. 

Basically, on Earth, it's new stuff vs. entropy. And entropy is always increasing. Because....physics. And physics is the most science-y of all sciences. Without innovation, we are on a thermodynamic conveyor belt to disorder. Hashtag OMGSCIENCE.  

But for those less scientifically inclined, I am calling for less half-hearted bullshit. Because non-bullshit will save the world. 

But I'm also here to warn you: When you say you’re going to do something difficult, (even well-meaning) people will feel an urge to save you from your own ambition. Not because you shouldn't do it, but because it's disruptive to the order of things. Be prepared to be discouraged, bullied, shamed, ridiculed, and/or shunned. 

Then do it anyway.  This is a story about being a misfit.

(Produced by Benny Blanco & John Hill) www.mikkyekko.com www.facebook.com/mikkyekko www.twitter.com/mikkyekko www.youtube.com/mikkyekko


But first, back to writing screenplays... 

Subject: Screenwriting/introduction.
Hello Jessica, 
tried calling you but your voicemail is full. I really like your website and writing! Do you have any screenwriting samples to send my way?
[Capital-A Agent]

So, this may not have been an actual phone call (because lord knows I don’t answer my phone when I see an unknown number...HELLO Cornell student loan offices). But this email and the following conversation, was certainly a call. It was a break; the beginning of some people's LA Story. 

But I never planned on an LA story. So naturally, being a rational woman in this situation, I left LA and moved across the country. 

Presently, I am writing this from a lime green chair in the Cambridge Innovation Center which is my new home for this next phase of work.

There were pieces to LA that I loved. People come to LA to chase a dream - no matter how delusional it may be. There are great things that go along with that. There is a sense of "newness" to Los Angeles always. The turnover rate is intense. People come, get stuck, get lucky, go bust. Stick it out or leave town. It's a human mosaic overlaid on a broke-down paradise landscape.

But it's a tough town. The other side of the coin is that, as far as you can identify your "goal" in LA, you can enter what is basically a lottery. Everyone seems to be an aspiring something. For example, there are 100k+ “actors.” About 10% of them are working and about 2% make a living doing it. The statistics change categorically as you move through the sects (screenwriters, directors, etc, etc, ad nauseum) but the fact remains that the odds are slim that one "makes it" in the traditional Hollywood way. 

It was interesting to be submerged in this when you don't care to learn the rules of the game going on around you. I flirt around the edges of "entertainment" but i'd never go so far as to identify with a particular camp. I knew my days in LA were limited; I had been there to make a dent in my story...not to replicate one of LA's pre-existing narratives.

What I mean to say is that I do not write professionally, just compulsively, and with some unusual results. 

But after the call, I made an attempt to settle down in LA and to produce a script. But, call or no call, it didn't really fit at this juncture. And, as i learned through getting into (and subsequently dropping out of) medical school, simply having permission and ability to do something difficult is not a reason to do it. Of course, leaving was met with just as much resistance, confusion, and veiled outrage as (the mere suggestion of) me writing a screenplay. 

Moral of the story? Write your own damn story.

The more you like your choices, the less it matters who else likes them. So what should you do? Dude. I don't know. Figure it out. There are no rules. And, for the time being, this is a free country, so do whatever you want.  Go be a motherfucker  

I went to Cambridge to surround myself with some of the smartest and most-talented weirdos that I know. And, yes, this will all make a fine story someday. But I’ll have to write about that in another post.

Jessa


PS - "The first draft of anything is shit. Go fuck yourself." - Papa. 


How to Settle Down

by Jessica Brookman in


FACT: ​Recognizing what you want and getting what you want are basically the same thing. Get on that. 

This is a story about making a place for yourself in the world and tiny houses. But first, I need to tell you a story about an LSD trip, Instagram, and making the best of a bad (plumbing) situation.

While this story starts with cat piss and a bunch of broken pipes, it ends in the Silverlake Hills. All's well that ends well, yeah? Cheers!

Jessa.

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On (No Longer) Being a One-Woman Show

by Jessica Brookman in


FACT: When your project ideas get big enough, you can't do everything alone. Make friends. 


​Here's a thing, I have a team of people who love and support me. Thank the universe, they also hold me accountable and forgive me when I act like the love child of Charles Bukowski and Joan Rivers (I wish): 

True. I haven't written this week. At least, not here. Sometimes, despite being a brutal insomniac, the days slip away from me. 

Since I decided to focus on my creative projects this year, I've had to get brutally honest about how I spend my time. In addition to this blog, I do freelance social media & creative consulting. I'm also developing a series for which the research is...viscerally intense, let's say. 

I've been a one-woman show for a while; and I prided myself on building web properties up single-handedly or in small teams. It was an education, for sure. Then there's, you know, all of the parts of life that don't end up on the blog.

Plus, a girl needs a little bit of free time to relax and indulge in some of California's finest agricultural products, if you get me. 

 So, what I'm saying is, I've been burning the candle at both ends. I am exhausted.

But I am still on a mission. And, LUCKILY ( !!! ) since my post about advertising and monetizing content as well as my personal mission statement "The First Draft of Anything is Shit,a few lovely people have crawled out of the digital woodwork to offer me advice and/or development assistance. I'm happy to be offloading some of the behind-the-scenes work here so I can take a nap shortly. 

So what will be happening here?

  • The content will still be written and edited by me (and guests).
  • The content will (still) be independent of marketing objective. 
  • The site itself is getting a minor facelift and better organization. 

In terms of content and mission, I'm most interested in researching and opening dialogues about human sexuality, love, and how these things transform our lives. 

But once in a while creative block still hits. What's a girl to do? Ask her friends for topics: 

photo.PNG

OK. Maybe not. ​Back to real, actual writing. More soon...

#onward,

Jessa


Linklettes * 10

by Jessica Brookman in


If you only read one thing: Oscar-Nominated Director Benh Zeitlin on Not Waiting for Permission: 

There is no one single more important piece of advice than not waiting for permission to start doing the things you want to do with your time and energy. Being able to do anything it takes and give up anything in the way of your goal is a close second: 

I think the most important thing is just to do what you want to do. A lot of times you get derailed from making movies when you are trying to support yourself or you're not doing the things you want to do with your day. 
When I was in New York and I couldn't support myself doing exactly what I wanted to do, I moved. I went somewhere where I could squat till I could figure out how to make what I wanted to make. So that always came first. So I just think prioritizing. If you have to do something you don't want to do all day long, you won't have the emotional energy to create stuff. 

Also really inspired by the collective approach he's using via Court 13. Fuck it and do what you love...any way you can. #onward. ​

Read the rest inside...​

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